Le opere di
William T. Vollmann
Afghanistan Picture Show ovvero, come ho salvato il mondo
Nel 1979, ventenne, William Vollmann si appassiona alle sorti dell'Afghanistan invaso dalle truppe sovietiche e decide di affiancare i mujahiddin nella loro lotta di liberazione contro i russi. Nel 1982 parte alla volta del Pakistan, dove trascorrerà buona parte del suo soggiorno in casa di un generale afgano in esilio, parlando con i capi della resistenza, con funzionari pakistani e internazionali che gestiscono gli aiuti per i profughi, e con i profughi stessi, sia quelli più fortunati che si possono pagare la permanenza in città sia i moltissimi costretti a vivere in condizioni pietose nei campi. Un'esperienza in larga parte fallimentare, che "Afghanistan Picture Show" racconta a posteriori attraverso lo sguardo di un Vollmann più adulto e consapevole, capace di guardare con ironia e affetto il proprio io più giovane e ingenuo, che riesce sempre a porre le domande più sbagliate alle persone sbagliate, mentre si contorce tra i dolori della dissenteria. Tra conversazioni piene di equivoci ed estenuanti camminate nell'impervio territorio afgano, trascinato e talvolta trasportato pietosamente dai mujahiddin, Vollmann mette in scena l'idealismo ingenuo e il colonialismo dello sguardo americano sul mondo, in un'opera ibrida che si muove tra romanzo e diario, saggio storico e reportage.
Rising Up and Rising Down: Some Thoughts on Violence, Freedom and Urgent Means
The authorized, abridged edition of the 3,000-page, seven-volume magnum opus, which was nominated for the US National Book Critic's Circle Award. The LA Times has said of Vollmann: 'He has an uncompromising intelligence that will change the way you think about all of history.' In this book, a labour of twenty-three years, Vollmann will change the way you think about violence. Vollmann brings to this subject compelling logic, knowledge, research and authentic experience. His research is legendary. He has immersed himself in the hazardous worlds he covers and has put himself in harms way. He has been burned by skinheads, nearly frozen to death on the Arctic tundra, and almost blown to pieces by a mine in Bosnia which killed two of his friends. The history of the world is a history of violence. Vollmann looks at violence through the prism of ethics, and honestly addresses both its value and waste. Rising Up, Rising Down is Vollmann's meditation on the age-old conundrum: when is violence justified?Vollmann writes: 'My own aim in beginning this book was to create a simple and practical moral calculus which would make it clear when it was acceptable to kill, how many could be killed and so forth.' Vollmann has consulted hundreds of sources, scrutinizing the thinking of philosophers, theologians, tyrants, warlords, military strategists, activists and pacifists. He has visited more than a dozen countries and war zones to witness violence firsthand - sometimes barely escaping with his life. The result is a deeply personal book, full of insight, that is a major publishing event, hailed by Zembla magazine as possibly 'the most ambitious literary project ever'.